Just one more turn: When Boris Yeltsin played Civilization

In 1995, a Russian tabloid ran a story about the video game habits of politicians. The findings were predictable—many professed a fondness for Tetris, one member of parliament was rumoured to play arcades, and most claimed they were far too busy for such frivolities. But the real prize came at the end: an unnamed Kremlin source mentioned that, in his rare spare moments, President Yeltsin liked to play Civilization.

It’s a statement that raises more questions than it answers. Did he play as Russia, or did he prefer to rewrite history as Rome or the Germans? Was he a benevolent builder, ushering in a golden age of culture, or did he discover the joys of the nuclear option? One imagines late-night sessions in the Kremlin, a glass of something strong at hand, as advisors hesitantly knocked on the door: “Mr. President, we have a situation.”

“Yes, yes,” Yeltsin might have muttered. “Just one more turn.”

I couldn’t find the original Komsomolskaya Pravda piece online, but a similar report appeared in Kommersant in 1997, stating—according to confidential sources in the Moscow mayor’s office—that city officials preferred playing Doom over a local network and the more “constructive” Civilization. Most federal officials, on the other hand, claimed they had never touched a computer game, citing two main reasons: a lack of computers and overwhelming workloads that left them with splitting headaches by evening.

Elia Kabanov is a science writer covering the past, present and future of technology (@metkere).

Illustration by Elia Kabanov feat. Midjourney.

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Eltham Palace: Where art deco splendor marries the past and future

My passion for Art Deco, a style that epitomises the glamour and innovation of the early 20th century, has always been intertwined with a deep respect for historic architecture—the older, the better. I was intrigued by how Art Deco evoked echoes of past historical styles, pushing design into a futuristic realm. This blend of eras drew me to Eltham Palace, where the medieval grandeur meets the sleek lines of Art Deco.