As a science writer covering AI, I couldn’t miss East Is South, a play about artificial intelligence penned by Beau Willimon, the mind behind House of Cards. I expected intricate dialogues on power, ethics, and responsibility. Indeed, the audience at Hampstead Theatre got exactly that—and then some. A lot more, in fact.
Tag: Reviews
Whisky, war crimes, and the law: Howard Morrison on justice and power
Had the pleasure of hearing Judge Howard Morrison speak at the University of Greenwich. He’s sharp, direct, and very funny. A man who has stepped between armed factions, drafted laws with a stroke of the pen (literally), and taught Radovan Karadžić how to cross-examine witnesses. He describes himself as a “fully qualified grumpy old man.” Hard to argue.
Ballet Shoes
British children’s books have a long tradition of subjecting their young characters to varying degrees of neglect, abuse, or outright peril. From Harry Potter crammed under the stairs to the nightmarish lessons handed out in Willy Wonka’s factory, no child is safe when a British author picks up a pen.
Only Fools and Horses The Musical: This time next year, we’ll be singing
Watching Vinnie Jones dance and hearing him sing wasn’t on my 2024 bingo card, yet here we are. It’s a surreal sight, but it somehow works in Only Fools and Horses: The Musical. I’ve never watched a single episode of the original series, but I still enjoyed it. The writing does all the heavy lifting, full of jokes that even outsiders like me can laugh at.
Reid Hoffman’s lecture at LSE: AI insights from ChatGPT
Attending Reid Hoffman’s lecture at LSE felt like glimpsing the future—but not for the reasons you’d think.
Sheku and Isata Kanneh-Mason
Some siblings argue over chores; Sheku and Isata Kanneh-Mason, apparently, just master Chopin together. She’s a pianist born in 1996, he’s a cellist born in 1999—feel old yet? Their performance at the Barbican was nothing short of breathtaking, with a musical chemistry that made every note feel alive.
Dear England
A play about football sounds as good an idea as staging Macbeth in a penalty box. Yet, Dear England turned out to be good—unlike, one might say, the actual England team. Just kidding—Gareth Southgate and his boys are great both on the pitch and as characters in this show.
Wicked: When the magic runs dry
After a string of great shows, I finally hit one I truly hated: Wicked. Maybe I’ve lost touch with my inner child, or maybe the production has simply run out of steam. Either way, it was a slog.
Witness for the Prosecution: From council debates to courtroom drama
Apparently, I have a thing for Agatha Christie’s plays. After The Mousetrap, I ventured further into her repertoire and saw Witness for the Prosecution. While it’s undeniably gripping, I’d say this one has aged less gracefully—especially the overly melodramatic ending.
The Book of Mormon: Hallelujah, it’s hilarious
A comedy about religion? And a musical? Of course, I couldn’t resist. The Book of Mormon isn’t your grandma’s idea of an evening at the theatre—unless she has a surprising tolerance for songs about maggots in scrotums.