Mrs Warren’s Profession: Selling sin, buying freedom

George Bernard Shaw’s 1893 play Mrs Warren’s Profession is a bit of a mouthful. For the current production at the Garrick Theatre, the creative team trimmed the text, but it still feels a touch too long. That said, its core themes—sex work, limited opportunities for women, institutional hypocrisy—remain relevant in 2025. And when the cast is this good, you almost don’t mind the extra speeches.

East is South: Artificial intelligence, natural confusion

As a science writer covering AI, I couldn’t miss East Is South, a play about artificial intelligence penned by Beau Willimon, the mind behind House of Cards. I expected intricate dialogues on power, ethics, and responsibility. Indeed, the audience at Hampstead Theatre got exactly that—and then some. A lot more, in fact.

Ballet Shoes

British children’s books have a long tradition of subjecting their young characters to varying degrees of neglect, abuse, or outright peril. From Harry Potter crammed under the stairs to the nightmarish lessons handed out in Willy Wonka’s factory, no child is safe when a British author picks up a pen.

Only Fools and Horses The Musical: This time next year, we’ll be singing

Watching Vinnie Jones dance and hearing him sing wasn’t on my 2024 bingo card, yet here we are. It’s a surreal sight, but it somehow works in Only Fools and Horses: The Musical. I’ve never watched a single episode of the original series, but I still enjoyed it. The writing does all the heavy lifting, full of jokes that even outsiders like me can laugh at.

It rings for thee

The first warning bell rang during the opening act.

The audience responded with a polite murmur. A hefty man sitting in the back let out a loud grunt, several ladies rummaged through their handbags, fumbling to find the elusive silent mode button on their phones.

Sheku and Isata Kanneh-Mason

Some siblings argue over chores; Sheku and Isata Kanneh-Mason, apparently, just master Chopin together. She’s a pianist born in 1996, he’s a cellist born in 1999—feel old yet? Their performance at the Barbican was nothing short of breathtaking, with a musical chemistry that made every note feel alive.